repetition – Blood, Sweat and ARCHITECTURE

”A composition with a relatively “shallow” thickness and/or depth in
terms of the dimensions of the elements or their relations. It should
maintain its in-between quality that is neither a 2D nor a 3D medium.”

For this part of the assignment, we were expected to design a relief based on our proposal for the previous assignment . All the prior requirements also applied to the relief composition. That means that the relief as a composition in-between 2D and 3D was expected to have the quality of UNITY, and this unity came from the SYSTEM of relations that we have designed to organize the UNITs of our composition.

While doing my relief I mainly paid attention to the shadow-brightness sides. According to this, I decided where should I rotate elements in itself. I think it’s fruitful to learn some new techniques for the architecture.

For the initial part of the assignment, we were expected to create a 3D composition, which is composed of 3D UNITs.
A UNIT can be defined as an element or be composed of many elements.
The composition is expected to have the quality of UNITY as you design a SYSTEM of relations (a set of principles or rules) according to which our units were organized in relation to each other.
The system was composed of 103 elements in total by using at least 3 different basic geometric forms (sphere, prism, etc.) in various sizes.

For this assignment, we produced our work digitally in the Rhino environment.
Also, we should make design catalog and diagrams of our proposals.
By doing that, I explored possible conditions of togetherness of different types of elements and/or units. I recorded all possible outcomes and/or variations by bringing together 3 elements. I paid attention to geometrical and proportional relations.
I zoomed in to a selected part of my composition in order to demonstrate an
instance exemplifying how my system of relations are working. The act of zooming-in requires you to focus on a limited number of elements and their relations.